Sense of Beauty

 
Dr Irena Eris World

Everyday life as matter

While others capture on canvas the visions suggested by their imagination, Julia Platt paints familiar scenes, interiors, people, and objects. Recently, she has been depicting those encountered outdoors as well. Her paintings resemble photographs.
Lack

In the paintings from my diploma cycle, I continued my exploration of the materiality and atmosphere of everyday objects, as well as the rhythm of daily life. My mother’s death occurred during this time and became an integral part of my work. Over time, these works emerged as an illustration of a sudden and irreversible change – a lack that cannot be fully accepted but remains with me. The Kapist painter Józef Czapski explored the theme of losing loved ones throughout much of his life. He depicted spaces, individuals immersed in loneliness, and landscapes dominated by emptiness. These representations often express the desire to capture specific people or objects that have passed away suddenly and been lost to the course of history. I do not view painting as self-therapy or a cure for tragedy. I cannot accept my mother’s death, even though it is a fact. I do not get accustomed to loss, and my painting does not attempt to create an artificial reality in which things could be different.
From left:
“Reksio kompozytor”, 2022, 140 × 120, oil on canvas.
“Kaziu, depesza”, 2022, 120 × 200, oil on canvas.
From left:
“Krecik w mieście”, 2021, 150 × 140, oil on canvas.
“Rano w grudniu”, 2023, 100 × 81, oil on canvas.
Behind the door
The paintings I am currently working on primarily depict situations I encounter outside. They are imbued with the tension of juxtaposed, often strange objects. Perhaps it is horror vacui, incandescent with sunlight, reminiscent of Józef Mehoffer’s “Strange Garden”. And Ewa. The new works express not so much my boldness but my curiosity about new associations and tensions, distinct from those arising in enclosed spaces. My new series was presented in November and December 2024 at the Polana Institute gallery in Warsaw.
From left:
“Na dworcu”, 2024, 50 × 60, oil on canvas.
“Strachy”, 2024, 70 × 90, oil on canvas.
Everyday life
I don’t think about trends. I believe that every artistic form is an expression of some reality – subjective and personal. The expression of mine is realism. Everyday life affects me; I worry about it, cry for it, and go to sleep with it. Ewa is an obvious element of this reality, but that doesn’t mean I treat the paintings in which I depict her as mere portraits of my sister. At this moment, my painting leaves no room for other people or topics.
Julia Platt – born in 1997, she is a graduate of the Academy of Fine Arts
in Warsaw. Her diploma work, “Takie będziemy duże!”, which addresses the reality of life without her deceased mother, was included in the competition for the Best Diplomas of the Academy of Fine Arts in 2022. She is also a laureate of the 4th W. Fangor National Student Painting Competition. Since 2023, she has been associated with the Polana Institute gallery in Warsaw, where she debuted with an individual exhibition titled “Rejs”. A year later, her series “The Twins” garnered success at the prestigious NADA fair in New York. She paints her own reality: the interiors of the apartments where she stays, herself, and her twin sister, Ewa Platt, who studies directing. Julia’s works, which brilliantly employ colour and light, are held in both Polish and foreign private collections. She lives and works in Warsaw.

View More